Wednesday, May 29, 2013

The Mother archetype in Art, Astrology and Tarot: Part 1

Last time I wrote about the archetypes found in the Tarot, I left it at "La Papisa" (The Popess or High Priestess) archetype in Latin American Art and History. Before we continue discussing this fascinating topic I consider it of vital importance to understand the primal archetype that gives birth to all others. Since the following archetype to be explored is " La Emperatriz" (The Empress) or the Major Arcana III and the previous card, "La Papisa" related to the feminine Lunar Principle, it makes perfect sense to reflect on "The Mother" archetype which can be found in more than one Tarot card including the ones just mentioned.


Patrick McGrath Muniz
   Inmaculate Immplants (2008)
Oil on Canvas triptych 72" x 36"
Available at Galeria Antigua

If you missed the first two articles concerning "El Loco" (The Fool)  and "El Mago" (The Magician), you can click on either them to see what we are dealing with here. This research is based on the study of the Tarot and how the archetypal figures represented in the major arcana cards relate to historical figures from the Americas. In the past I’ve been studying patterns of colonization and the role of globalization and corporations in a new wave of economic neocolonialism that affects Latin America. But as things progressed with my work and studies I felt compelled to open up the discussion to even larger global issues than those affecting one region of the world. By using the symbolic language in the Tarot, Astrology and Art History, I intend to shed light into global issues that affect our lives today. Of course I do not pretend to encompass it all in this blog and therefore I’m more than open to suggestions and comments from all of you who wish to contribute to this discussion.

 
Patrick McGrath Muniz
Four of the Major Arcana "Mcolonial" Tarot Cards (2012)

From Prehistoric times, to our Global Age of Information Technology, "The Mother" archetype has transcended time and space changing forms from culture to culture but remaining the same in essence. Her essence can be traced to the stars and that is why we have archetypal astrology to study the patterns and behaviors of archetypes. 

 Gromyko Semper
Our Lady of Perpetual Abandon
Ink on Paper 12" x 18"
To View more of this artist's work click here

In many religions around the globe, the "Great Mother" or Heavenly Queen has occupied a sacred space. This is quite evident in the importance the "Madonna" or Virgin Mary, Mother of God has been given by the Catholic Church. With the Counter Reformation, conquest and conversion of the native peoples of the Americas, the devotion for the "Mother" was heightened, often equating her to the Church itself and bride of Christ. 


 Manuel Garcia
Escudo de Monjas


The feminine archetype, container of all life, the "Primium Mobile", Anima Mundi and Magna Mater Matrix, She is the Greek Mother Earth Goddess Gaia.  In Buddhism we see her as Queen Maya, Buddha's mother. In China, Kwan-yin, the goddess of mercy is also associated with many of the same motherly qualities that define the Christian Madonna. In the Afro Caribbean Yoruba religion she is called Yemaya, She is the Ocean, protector of Children and prime representative of Motherhood. In Classical Mythology she is Ceres or Demeter, goddess of fertility and grain.  These are just but a few of her many faces. 


  Hans Sebald Beham  
Venus, from The Seven Planets with the Signs of the Zodiac, 1539 

From an astrological view, she may be found in the Moon, Venus and our own planet Earth. Being Lunar in nature, she presides over the Amniotic fluid, milk, oceans and basically all liquids as they all posses Yin receptive energy qualities. Being Earth-like she obviously presides over all minerals, geological, plant and animal life. She is Mother Nature, nurturing matter allowing it to evolve and grow and also die. Soil, rocks and even money (coins derived from minerals) are considered to have Yin receptive qualities. 



  Hans Sebald Beham  
Luna, from The Seven Planets with the Signs of the Zodiac, 1539

Being Venusian she is the the embodiment of love, beauty and art. Perhaps this explains the amazing amount of artwork related to her. It would take very large volumes to document the many expressions of this archetype in art through the ages. Interestingly most of the Mother's Day celebrations around the world are held in spring (around May) which is associated with Taurus, the Bull ruled by the planet Venus. The bull, a fertility symbol with horns that look like a crecent Moon comes to us from Antiquity. From Ancient Egypt to Modern India, bulls, cows and cattle in general have a sacred place in religion. They represent wealth, abundance, fertility and selfless giving, the same attributes hold for the great "Mother Archetype".


 Felipe Rivera Ortiz
Alimento de Vida (2013)
To view more work from this artist click here


Just think of all the goddess from around the world, from Ishtar to Lakshmi, from Ēostre to Yemaya, in all goddesses there is a mother to be found. We should also be reminded that this archetype like all others has both a light and shadow sides to it. More obscure goddesses like Kali, Durga, Lilith or Hecate contain a darker destructive aspect of the "Mother" archetype. 

 Liba Waring Stambollion
The Godess Energy as Re-Incarnation,Pro-Creation and Transformation
To view more work from this artist click here

With growing ecological awareness, the image of the "Mother Earth seems to gain more presence in contemporary culture. The mother being a female archetype becomes associated with the cycles of life and death as with the Moon or the Seasons. Change is constant while the term “container” often comes to mind when discussing this archetype. We might see her as a sacred container and nurturer of all knowledge, matter, forms, life or the Cosmos.

 Robert Place
Strength from the Sevenfold Mystery Tarot
Available for purchase at: 

In a Social context, not only do mothers sustain life at home and hold families together, they have become independent workers and active participants in many positions at work, in the government and Church among others where patriarchal power has long denied them an opportunity. A recent Pew Research Center reported to NPR that now mothers are primary breadwinners in 40% of US households. 

 Carlos Barberena
Palestinian Mother and Child
To view more work of the artist click here

As an artist I find it impossible not to be captivated by this archetype. We all have a deep subconscious and conscious connection with her. After all we are all born of a mother and the mother/child bond represents our first relation coming into this world. To be inspired by motherly love is to be inspired by the most noble and beautiful love of all. To give and do good without expecting anything in return. Perhaps this is the greatest lesson we must learn from the "Great Mother of all". It would heal humanity, our environment and all life if we all adopted this compassionate attitude more often.


Patrick McGrath Muniz
Nuestra Senora del Altisimo Capital(2012)
Oil on wood triptych 24" x 18"

I personally feel quite optimistic with the future as women's rights gain momentum in most parts of the world, even if it is slower than we might wish for, but just think of how women and mothers in general were portrayed in TV shows from the 50's or go further back to the nineteenth century when women were kept out of the public discourse. Things are certainly changing for good. Social media and the internet are making a difference in awakening the collective consciousness on social and environmental injustices committed around the globe as they are documented and made visible to all. As we enter a new age of social and environmental awakening, the Great Mother archetype shines her light upon us and encourages us to realize our fullest potential as a species in this motherly planet.  
 

Tuesday, April 16, 2013

Out of the Line: Consumer Processions and other Neo-Colonial Encounters

It's been a while since my last blog entry but I'm back and with much to share. In recent months I've been busy finishing most of the work that forms part of "Devocionales, Neo-colonial Retablos from an archetypal perspective", a project I intend to publish very soon. but first I would like to share with you some of my recent insights and work that are closely related to the project as they also deal with the notion of archetypes and Neo-colonial issues.  




Patrick McGrath Muñiz
The Empty Cart (2013) 
Ink and tempera on Amate paper 15" x 24"

The concepts and ideas behind my work have come a long way in a matter of months just by concentrating on the painting process and letting go of my books on Astrology, Tarot, Global Politics and History for a while. I noticed my work was becoming too esoteric and therefore too complex to comprehend even for myself working with so many concepts put together. Art school taught me to push the limits asking for a justification behind everything in the creative process. While this is a good thing, it can also become a heavy burden. Once you learn how to think and question every action you may become obsessed with theory. This is the time to turn the uptight "academic ask it all" switch off, clear your mind, embrace your instincts and simply paint. You might find some interesting and beautiful forms be born out of this simple action. While I enjoy theorizing and carefully planning every symbol and every narrative in my work, sometimes I enjoy even more allowing my characters to just be, breathe, wander and interact with each other freely. That was precisely my intention with these.


 
 Patrick McGrath Muñiz
Welcome to Floridaland (2013) 
Ink and tempera on Amate paper 15" x 24"

Freeing your mind from the fetters of theory and just painting may surprisingly strengthen  the theoretical structure behind your work, it also allows the work to flow in a more free, honest, spontaneous way, filtering out any redundant and superfluous ideas and imagery. At least that has been the case with my work in recent weeks.


 Patrick McGrath Muñiz
El Disneyrican Dremaer (2013) 
Oil on canvas 24" x 30"

Although most of these paintings and drawings are inspired in familiar narratives (Christopher Columbus encounter with the Indigenous population or "The Fool" card from the Tarot, they bring something new into the conversation, the consumer pop culture experience. In the present we may be migrating and colonizing new promised lands (Puerto Ricans and other Latin American groups migrating to the US) but at the same time our minds and bodies are colonized by products and media designed in the interests of large transnational corporations. Just as C. Columbus offered glass beads and small bells to the first Tainos he encountered in exchange for gold, the present ruling Corpocracy offers us useless consumer products in exchange for our souls, cultural identity and environment. This work is a response to history and our current neo-colonial paradigm.  



 Patrick McGrath Muñiz
The Escape Plan (2013) 
Oil on panel 24" x 36"

Even as I may seem to turn the "Academic, ask it all" switch off,  the same core concepts, narratives, and recurring archetypes are still there as if they were ingrained in my soul. This in my view just reinforces the discourse behind the work.



Thursday, January 17, 2013

Starting the year with new work at Art Palm Beach 2013


Hello there!
Hope you all had a good start with this new year that's full of creative possibilities. I See much potential in the year ahead and as a matter of fact started drawing  a whole lot on my new journal and getting ready for all the exciting art projects I have ahead for this year. Next weekend (Jan 25-27) I'll be at Art Palm Beach, Fl, with Jane Sauer Gallery showing some of my most recent work.  
 
The Divine Wheel of the New World Order 
(2012)
 Oil and metal leaf on panel 41" x 30" 
By Patrick McGrath Muñiz


One of the pieces I will be showing at the art fair is titled "The Divine Wheel of the New World Order. This is a a mobile piece consisting of three painted discs depicting Colonial Latin American Religious Icons along with contemporary objects and symbols that stand for different Neo-Colonial issues. On the pinnacle we encounter a representation of a divine figure derived from colonial representations of the Holy Trinity. A three faced male deity holds a triangular diagram that illustrates the nature of this New World Order.  This is modeled after the traditional Christian symbol of the “Shield of the Trinity” or Scutum Fidei” Diagram. In this occasion, instead of containing the titles of the Father, Son and Holy Spirit in Latin, these have been replaced by the titles in Latin that stand for “Government” “Corporation” and “Bank”, the worldly rulers of the globalized economy.   
  The Divine Wheel of the New World Order (detail)
 
On the central disk there is a Madonna and Child holding the Earth and with the inscriptions of the Great Seal of the United States that read “Annuit Coeptis” (He favors our undertakings) and “Novus Ordo Seclorum” (New World Order).  The female figures on the four corners of the composition represent the Mass Media with TV viewers, Radio listeners, Web Users and printed press readers. By rotating the disks one can combine and match different icons with each other creating distinct archetypal correspondences between astrological angels, Catholic saints and their contemporary symbols. 

The Divine Wheel of the New World Order (detail)

The following is a legend to understand the meaning behind each character depicted:


1. Mother Mary and Child Jesus stand for our own relationship to the world.
2. Cupid with bow and arrow, with the astrological signs of Aries and Mars, the masculine principle
3. An angel with hand in heart, holding a bird and with the signs of Taurus and Venus, the feminine principle
4. The twin musician angels (Gemini/Mercury) the principle of communication.
5. The caretaker angel protecting a small rabbit (Cancer/Moon) the principle of home and nurturing.
6. The inspired Apollonian Angel  (Leo/Sun) the principle of inspiration, art and creativity
7. An angel holding a single shaft of wheat (Virgo/Ceres) the principles of food, health and service
8. An angel holding scales and bearing a sword (Libra/Juno) the principles of justice, balance and harmony
9. A Satyr showing a bunch of grapes (Scorpio/Pluto) the principles of lust, pleasures and instincts
10. A travelling angel holding a palm branch (Sagittarius/Jupiter)  the principles of migration and education
11. The kneeling angel with hourglass ( Capricorn/Saturn) the principles of power, patience and hard work
12. A water carrier angel bearing a torch (Acuarius/Uranus) the principles of hope, liberty and change
13. An angel holding a starfish (Piscis/Neptune) the principle of peace, meditation and spiritual bliss
14. Saint James the Apostle with M-16 and gas tank (Militarization) “Conquistamos” (We conquer)
15. San Isidro Labrador with gas mask and pest control spray (Agricultural production) “Cultivamos” (We Cultivate)
16. Santo Niño de Atocha with Satellite Dish and Smart phone (Communications) “Comunicamos” (We Communicate)
17. Saint Martin de Porres with broom and dustpan (House maintenance)  “Mantenemos” (We Maintain)
18. San Juan Diego with Mickey Image and paint brush (Image creation and Disneyfication) “ Recreamos” (We recreate)
19. San Roque with apple tree branch and fast food meal (Food and services) “Servimos” ( We Serve)
20. Saint Michael with camera and light set (Idealism and Hollywoodization) “Idealizamos” (We Idealize)
21. Saint Francis of Assisi  with credit card and piggy bank (Economy and Ecology) “ Economizamos” (We economize)
22. Saint Christopher with transit sign and car keys (Migration and transportation) “Migramos” (We Migrate)
23. Saint Sebastian blindfolded and tied to flagpole ( Blind Patriotism and sacrifice) “ Sacrificamos” (We sacrifice)
24. Saint Barbara with loudspeaker and Occupy sign (Social activism) “Liberamos” (We Liberate)
25. Saint Lucy with gallon of water and water tap ( Privatization of Resources) “ Privatizamos” (We privatize)
26. Allegory to the Web surfer searching the web & Inscription that reads: “Creo lo que encuentro” (I Believe what I find)
27. Allegory to the TV Audience changing channels with inscription that reads: “ Creo lo que veo” (I believe what I watch)
28. Allegory to the printed press reader with inscription that reads: “Creo lo que leo” (I believe what I read)
29. Allegory to the radio Audience with inscription that reads “Creo lo que oigo” ( I believe what I listen to)
30. The Neo-Colonial godhead trinity (Government, Corporation and Holy Bank)



This and other of my recent pieces will be on display at Art Palm Beach from Friday January 24th to Monday January 28th 2013. The fair hours are from 12 PM to 7 PM.  Art Palm Beach is held at the Palm Beach Convention Center, 650 Okeechobee Blvd. West Palm Beach, Florida, 33401. Im currently represented by Jane Sauer Gallery, which will be in Booth 417. Click here for map. For more information on the gallery and to see more of my work and  from other artists represented by Jane Sauer visit the gallery's website.
I hope to be at the fair in person on Friday 24th and Saturday 25th. If you happen to be in the area try not to miss this event. Have a wonderful weekend and see you soon :-)